摘要
建筑与文化之间总有着千丝万缕的联系。文化思想的表达需要载体,建筑以其实用性和艺术性的混合特性恰如其分的充当了这个载体。中国的传统文化思想之博大精深令人观止,中国传统的风水理论也在近年引起了越来越多的关注。四合院作为中国传统民居的典型,正是中国传统哲学尤其是风水理念的一次全方位、多角度的表达。本文通过将混沌学引入中国传统的建筑文化,解析了建筑发展的多学科性,与多文化性,指出了建筑是理与情的交融。
Between the construction and the culture always has the very complicated relation. Cultural expression needs carrier, and construction has acted as this carrier by its usability and the artistic characteristic appropriately. Chinese traditional culture perfection made the person acme of, and the Chinese traditional Fengshui theory also arouses more and more interests broadly and profoundly in the recent years. The central courtyard as the model of Chinese tradition common people residence is precisely the omni-directional and the multiple perspectives expression. Through introduces the Hundun study to the Chinese tradition construction culture, this article has analyzed multi-disciphnary, multi-cultural properties of construction development. And pointed out the construction is the principle and sentiment blending.
出处
《建筑与环境》
2009年第2期184-186,共3页
ENVIRONMENTAL ARCHITECTURE
关键词
风水理论
传统建筑文化
等级制度
四合院
Fengshui Theory
Tradition Construction Culture
Rank System
Central Courtyard