摘要
5.12汶川大地震发生后,在新诗界出现了震灾诗热潮,很多新诗诗人放弃了个人化写作,把写震灾诗当成诗人特有的救灾方式。诗人博客、诗歌网站及各大门户网站和诗歌论坛与手机短信等新媒体极大地促进了震灾诗的创作与传播。新诗的抒情功能和宣传功能受到高度重视,新诗在抚慰心灵、凝聚人心及宣传救灾等方面取得了较大成绩。诗人的写作方式发现了巨变,出现了诗人与记者、诗歌与新闻互动现象。受情感和时效的影响,出现了情感性>艺术性>思想性的写作策略,诗人通常采用了"歌唱"和"直写"的方式,缩小了新诗与读者的距离,使新诗受到了群众的欢迎,也导致了一些震灾诗的艺术高度和思想深度不足。一些诗人在写作时间上的"滞后"和认真修改保证了震灾诗的质量。震灾诗运动提高了新诗和新诗诗人的声誉,也暴露了新诗存在的问题,为新诗的发展提供了新的契机。
After the outbreak of 5.12 Wenchuan earthquake, there appeared a boom of earthquake poetry in the New Verse world, in which many individual peots gave up the private way of peotry-writing to compose earthquake poems as a unique way of disaster-relief. Blog poets, poetry web sites, major portals, poetry forums, cell phone text messages and other new media have greatly promoted the creation and dissemination of earthquake poetry. Functions of expressing peots' emotions and publicity have been given high priority. Achievements have been attained in soothing the souls, uniting people and publicizing disaster-relief. Poets' writing has changed dramatically in that there was interaction between poets and journalists, poetry and news. Under the influence of emotion and limitation of time, there appeared writing strategies of being affective 〉 artistic 〉ideological. Poets often used the "singing" and "direct writing" methods to narrow the gap between poetry and readers, which resulted in the fact that the poetry has been welcomed by ordinary people. Meanwhile, the earthquake also led to a number of deficiencies as lack of artistic achievements and seriousness of thought. Some poets, in the "lagging" seriously revisioned peoms to ensure the quality of poetry. The movement earthquake poetry not only raised the reputation of poets, but also exposed the problems in modern poetry, offering a new opportunity for poetry's development.
出处
《福建师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2009年第3期104-112,共9页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
震灾诗
平民化写作
诗人的职责
情感性
艺术性
earthquake peotry, personal writing, responsibilities of poets, affective, artistic