隐性冲突的设置与搁浅——关汉卿悲剧情节与深层意蕴新论

Arrangement and Giving up in Concealed Conflict

对关汉卿悲剧的界定应该遵循"情感基调"和"情节结局"这两个基本的判断依据。此外,关汉卿的悲剧情节中存在着两条线的冲突:一条线是直接表现、且随剧情进展而适时变换的显性冲突,另一条线是间接表现、但贯穿全剧的隐性冲突。其中,隐性冲突与悲剧的深层意蕴存在更紧密的关涉:它的设置使悲剧意蕴得以凸现,而它的搁浅又对意蕴的成型起到了画龙点睛的作用。

To define Guan Han -qing＇ s tragedy should follow the two basic estimation evi- dences, ＂emotional keynote＂ and ＂plot sequel＂ The author points out that Guan Han - qing＇ s tragedy plots exists conflict in two main lines, and also the author analyzes the tragedy implication in this paper.