汤式散曲小令用韵简析

Simple analysis of the rhyme of Tang Shi's Xiaoling of Sanqu

汤式是元末明初一位具有代表性和过渡性的散曲家。研究其散曲小令的用韵,将有利于大家了解这一时期散曲北小令用韵的一些特点。通过统计、分析、归纳得知:在其161首小令中,押韵方式共6种,有5类7首超越《中原音韵》的部界,用韵稍宽。与明代前期、中期、中后期代表性散曲家的北散曲小令用韵情况比较,发现汤式在小令用韵方面还是较为严格地遵守《中原音韵》的韵部押韵的。

Tang Shi is a representative and transitional Sanqu writer in the last years of Yuan dynasty and the early days of Ming dynasty. Research on the rhyme of his Xiaoling of Sanqu, we can know about the character of Beixiaoling of Sanqu in this period,By analyzing and summing up his Beisanqu, we know that there are altogether six kinds of rhyme modes among his one handred and sixty - one Xiaolings. Some of them go beyond the scope of Zhou Deqing, s Phonology of Central Plains. However, Tang Shi fairly observed the rhyme of the Phonology of Central Plains by comparing with the other representive Sanqu writers of the early and medium stage in Ming dynasty.