摘要
三角形符号频繁地出现于贝聿铭的作品中而成其典型符号,它体现出现代主义之后的建筑师对于建筑的精神层面的探索以及贝氏把中华文化融入西方现代建筑体系的可贵尝试。文章试图从三个角度研究这种设计风格出现的文化和意识形态根源,旨在对于贝氏作品进行更深层次的解读。
Triangles are frequently seen in Yuming Bei's works as typical symbols, which reflect the post-modern architect's spiritual exploration of architecture and his valuable attempt to integrate the Chinese culture into the western system of modern architecture. The paper attempts to study the cultural and ideological causes of this design style from three perspectives, aiming at the deeper levels of interpretation of Yuming Bei's works.
出处
《合肥工业大学学报(社会科学版)》
2009年第3期141-143,共3页
Journal of Hefei University of Technology(Social Sciences)