摘要
音乐批评依据着某些基本的客观标准来对音乐现象进行实事求是、客观公正的评说,基于不同的文化基础,形成了众多的音乐批评流派,在20世纪西方结构主义等批评思潮的影响下,音乐研究开始走向"音乐文化研究","语境"成了音乐批评的重要因素。当代音乐批评应站在审美与和谐的角度去欣赏、感悟音乐,体现音乐评论的客观性。
Based on particular objective criteria, music criticism comments on musical pieces practically, realistically and justly. The variety of cultures has resulted in various schools of music criticism. Influenced by criticism thoughts of the west structuralism in the twentieth century, musical studies began to take up "music cultural studies", and "context" became the important factor of music criticism. Existing problems in contemporary music criticism suggest that we should appreciate and understand music from aesthetic and harmonious angles, so as to reveal the objectivity of music criticism.
出处
《南通大学学报(社会科学版)》
2009年第3期93-95,共3页
Journal of Nantong University:Social Sciences Edition
基金
教育部社会科学2008年规划基金项目(08JA850003)
关键词
音乐批评
文化转向
审美
当代意义
music criticism
cultural diversion: aesthetic judgment
contemporary meanings