摘要
国家级扶贫的一个革命老区县,其首批国家级“非遗”代表作“道情皮影”红火不衰,足显其“文化遗产”的不菲。物质极度贫困,又何以保存、传承了传统民间文化的丰富?本文据近年数次田野工作,对所观察到的这一“事象”的生态与文化植被、生存与生活态度、神灵与人的谋略和智慧等,思考、描述,期以引发今天的我们对民俗学与人类学某些问题的联想,以挖掘一种深远意义的表述。
Despite of being a county of old revolutionary poor region which was supported by state funds for survival, Huan County was listed, due to its representative work of Dao Qing Shadow Play,among the projects of intangible cultural preservation on national level, and the county is getting hot spotlight. This is suffice to prove its richness in intangible culture heritage. But the question is as a very poor county, how did it manage to pre-serve and transmit its rich local culture? Based on field work stretched over recent years,this paper presents some reflections and descriptions on this phenomenon and its related topics such as ecology and cultural vegetation, surviving and life attitude, deities and human strategy and wisdom, in order to share them with colleagues' in the field of folklore and anthropology, hoping to arousing more thinking and intellection in today's circle to find a more comprehensive way of expression.
出处
《西北民族研究》
CSSCI
北大核心
2009年第2期136-147,共12页
Journal of Northwestern Ethnic Studies
关键词
道情皮影
生态
山民
神灵仪式
剧目表演
Dao Qing Shadow Play, ecology, villagers, deities ritual: performance cata-logue