泉州木偶戏具造型风格及审美意蕴

Quanzhou puppet as a show——Quanzhou puppet style and aesthetic connotations

木偶的身份本体是雕塑,但它的身份主体却是一种戏具,所以它与一般雕塑所追求的终极美学价值是不一样的。通过对作为戏具的泉州木偶展开分析,认为其在雕刻时十分注重假定性、戏剧性和装饰性等舞台规律,从而塑造出数百个个性鲜明的舞台形象,折射出独特的审美价值。

Puppet as itself is a sculpture, but its identity is a stage prop, so its value is not same to the general sculpture in general pursuit of the ultimate aesthetic. This dissertation intends to research that as a stage prop, Quanzhou puppet has character like hypothetical, dramatic and decorative stage,thereby shaping hundreds of distinctive stage personality images,and creating unique aesthetic value.