抗战时期的重庆儿童文学理论研究

Study of Chongqing Children Literature Theory during Anti-Japanese War

抗战时期,全国文化人的到来提升了重庆儿童文学创作和理论研究的文化含量和学术档次。在理论研究上,陈伯吹把寓言与小说、童话等进行对比,析出了寓言的本质特征;老舍认为永葆童心是郭沫若儿童文学创作成功原因,自己则得益于幽默的艺术风格和描写了孩子感兴趣的动物;郭沫若注重儿童文学理论的倡导,论述了儿童文学创作非常困难这一重要理论命题;王平陵则提出了儿童文学创作的三个重要原则:母爱主题、赤子之心和创作技巧。

During the Anti-Japanese War, the intellectuals coming from all over China promoted the cultural connotation and scholastic level of Chongqing children literature creation and theory study. On theory study, comparison between fable, novel and fairy tale, Chen Bochui revealed the characteristics of fable ; Lao She thought that the reason for successful creation of children literature by Guo Moruo was retaining childlike innocence, while he himself benefitted from humorous artistic style and describing the animals loved by children. Guo Moruo talked highly about the initiation of children literature, expounding the important theoretical proposition ： the difficulty in children literature creation. Wang Pingling put forward the three important principles： maternal love topic, the innocent heart of a child and creation techniques.