摘要
"大陆三部曲"是"满洲映画协会"(以下简称"满映")与日本东宝电影公司合作拍摄的电影作品,是中日学者研究"满映"不可缺少的重要参考资料。"大陆三部曲"内容极其反动,是典型的殖民化电影。日本当局利用最具宣传性、鼓动性的电影,对东北沦陷区民众推行文化专制政策,"满映"在"国策"宣传和推行日本文化政策上起到了重要作用。
The "Mainland Trilogy" is a movie co - produced by Manchuria Film Association ( hereinafter referred to as the Association ) and Toho Film Company of Japan, and it is indispensable reference material for both Chinese and Japanese scholars" research on the Association. This paper, by discussing the process of the Association's establishment and its unique mission, will explore the specific impact made by the colonization movies produced by the Association. The "Mainland Trilogy" is extremely reactionary, and it is a typical movie about colonization. With analysis and judgments of the movie, the fact will be revealed that the Japanese authority imposed cultural tyranny against Chinese people in the occupied area of Northeast with the propaganda and instigation of movies. Japans cultural policy towards China is known as "the harmony of five ethnic Chinese groups of Manchuria" , and "the solidarity of Japan and Manchuria as one"
出处
《东北亚论坛》
CSSCI
北大核心
2009年第3期115-119,共5页
Northeast Asia Forum
基金
吉林省教育科学"十一五"规划项目2006-2008(115473)
关键词
“满映”
“国策”
电影
“大陆三部曲”
殖民化
日本
大陆文化政策
Manchuria Film Association
national policy
movie
the Mainland Trilogy
colonization
Japan
mainland cultural policy