从接受美学透视海明威的“冰山理论”

"Iceberg Theory" Viewed from the Perspective the Aesthetics of Reception Theory

作为开创一代文风的语言艺术大师,海明威的"冰山理论"提倡作者只写八分之一,留八分之七给读者去想象的文学创作风格。这与20世纪60年代开始于德国的接受美学的核心思想有共同的精神实质。文章从接受美学的三个基本特征为视角来探讨它与"冰山理论"的相通之处,即以读者为中心,重视读者的审美体验和强调读者与文本交流对话。

In this paper, the only one - eighth of what he wants much - discussed ＂Iceberg Theory＂ to say and leave the rest as free room by Hemingway that the writer should reveal for the reader to exercise his imagination, is viewed from the perspective of the aesthetics of reception theory featured by the emphasis on the reader＇s central position, the importance of aesthetic experience and the interaction between the reader and the text. In this way the similarities or the common spirit between the two can be reaffirmed. be found out and thus the greatness the ＂Iceberg Theory＂ can be reaffirmed.