摘要
本文从对"象"在古代书画美学理论中上下文关系的剖析入手,着重指出"象"是一个内涵与外延都十分丰富的词汇,并通过与其密切相关的几个字词的分析尝试划定"象"的能指与所指的界限,从而使读者对于"象"在古代书画美学中的使用及词义的界定有一个宏观的把握。
This artical analyzes the ＂象＂ （image） from its context relations in Ancient Calligraphy and Painting Aesthetics Theory, pointing out that ＂象＂ is a word with rich meanings both on connotation and extension. At the same time, this artieal trys to defined ＂ 象＂＇s signifier limts and referencial limits in terms of analyzing some colsely related words, so as to make the.readers to have a macro grasp to the usage of the word in ancient calligraphy and painting aesthetics and its word meaning limits.
出处
《湖北第二师范学院学报》
2009年第3期89-91,共3页
Journal of Hubei University of Education
关键词
“象”
“意”
“形”
“气”
“神”
＂象＂（imase）
＂意＂（meaning） ＂形＂
“气” （shape）
“神”（energy）
（spirit）
