摘要
高行健是中国现代戏剧理论的先行者和实践者。在新时期戏剧的探索思潮中,他打破了封闭守旧的传统戏剧意识,确立了开放的宽容的现代戏剧意识,并在创作实践中进行了具体的多方面的探索。1985年高行健创作话剧《野人》,复调、多重主题、多种技巧形式的应用都突破了以往僵化的戏剧理论的束缚,开拓出一片新的戏剧天地。
Gao Xingjian is the theory forerunner and practitioner of Chinese modern drama. He had broken tradi- tional drama consciousness which was close and conventional, and established the modern drama mental consciousness which was open and lenient. In 1985 Gao Xingjian created his modern drama savage. It had polyphony, multiple subjects, various new technical devices and form. These broke the solid ice of Chinese traditional drama and opened up a new world of the drama.
出处
《潍坊学院学报》
2009年第1期28-30,共3页
Journal of Weifang University
关键词
高行健
多重主题
完全戏剧
Gao Xingjian
multiple subjects
complete drama
