2Dan Shen, “Breaking Conventional Barriers: Transgressions of Modes of Focalization,” in Willie van Peer and Seymour Chatman (2001), 159-172.
3Dan Shen, “Defense and Challenge: Reflections on theRelation between Story and Discourse,”Narrative, 10(2002) : 422-443.
4Dan Shen, “Difference Behind Similarity: Focalization in First-Person Narration and Third-Person Grater of Consciousness“ in Acts of Narrative, edited by Carol Jaeohs and Henry Nksmlan, 81-92 (Stanford: Stanford UP, 2003).
5Paul Simpson, Language, Ideology and Point of View(London: Routledge, 1993).
6F. K. Stanzel, A Theory of Narrative (Cambridge:Cambridge UP, 1984).
7Boris Uspensky, A Poetics of Composition (Berkeley: University of California Press, 1973).
8Willie van Peer and Seymour Chatman, eds., New Perspectives on Narrative Perspective (Albany: State University of New York Press, 2001 ).
9Robyn Warhol, “The Look, the Ptxty, and the Heroine of Persuasion, ”in Ambiguous Discourse: Feminist Narratology and British Women Writers, edited by Kathy Mezei (Chapel Hill: University of North Carolina Press,1996), 21-39.
