摘要
在北京人艺演剧民族化的过程中,作为总导演的焦菊隐功不可没。他高度重视剧院与作家的通力合作,力求把北京人艺建成具有中国特色的艺术剧院。其中,郭沫若的三个戏剧为北京人艺探索演剧民族化提供了合适的范本,为民族化路向的确立和完善作出了重要的贡献。
Jiao Juyin played an important role in the process of the foundation of Beijing People's Art Theatre on the performance-nationalization as a director. He highly valued the cooperation between the theater and writers, and he tried to make Beijing People's Art Theatre with Chinese characteristics. The three dramas of Guo Moruo provided the suitable models for the Beijing People's Art theater to the provision of the performance-nationalization, and he made an important contributions to the establishment and perfection in the performance-nationalization.
出处
《北京社会科学》
CSSCI
北大核心
2009年第3期83-88,共6页
Social Sciences of Beijing
基金
国家社科基金(08BZW058)
关键词
焦菊隐
北京人艺
演剧民族化
郭沫若戏剧
Jiao Juyin
Beijing People's Art Theatre
Performance-nationalization
Guo Moruo's dramas