摘要
本文以中国当下宏观创作视阈为基点,结合黑龙江省博物馆建筑方案创作,从建筑的现代性品质、原真性基点、适度性原则三个方面论述了建筑创作的本原回归。
Based on the creation environment of China and taking the museum of Heilongjiang province as an example, this paper from three aspects such as modernity, originality and moderation of architecture discussed the returning of the originality of architectural creation.
出处
《城市建筑》
2009年第6期21-23,共3页
Urbanism and Architecture
关键词
建筑创作
本原回归
现代性
原真性
适度性
黑龙江省博物馆
Architectural creation, Return to the originality, Modernity, Originality, Moderation, Museum of Heilongjiang province
