被禁锢的“烟囱”:《灵河》的政治无意识解读

An Interpretation of the Political Unconsciousness in A River of the Soul

洛夫的处女集《灵河》理应浪漫柔滑,然而我们读到的却是整个《灵河》透出的一股缠绕不去的欲飞而不能的禁锢感;即便是在对爱情的迷恋中,也氤氲着难释的惆怅与沉重。这种排遣不去的怅惘无奈与豹困笼中的抑郁难伸之感,正是《灵河》在表面滑润、轻柔纯情中带给我们的一道锐利割锋。《灵河》表现出的洛夫因自身被禁锢的深深受挫感以及对这种围困的努力突围,投射的恰恰是一段被压抑和遮掩了的历史;政治无意识正好能挖掘这些被淹没的现实。

A River of the Soul, published in 1957 in Taiwan, was Lo Fo＇s first verse anthology. Though there were some poems for his lover, this anthology was more disconsolate than romantic. The unspent melancholy and helplessness is the sharpest edge in the anthology A River of the Soul. Lo Fo＇ s breakthrough implied a special section of history which has been oppressed and concealed, and the political unconsciousness may just be an effective means for disclosing it.