摘要
夹缬是中国历史上的传统印花染色工艺。唐代浙江地区民间的夹缬印染已是重要的手工艺活动,并从民间传入宫廷,通过上流社会加以传播。宋代夹缬在浙江的流传区域由盛唐时的浙西北扩展到了南宋时的浙东南地区。近现代以来,改变样式后的夹缬在浙南地区盛极一时,并且形成了自身的产业链条,从浙南夹缬审美特征的形成方面可以分析其内在原因。
Jiaxie has been a traditional printing and dyeing technique in the Chinese history. In the Tang Dynasty, Jiaxie of Zhejiang folk society was already an important handicraft activity, which was spread from the folk society to the royal court and disseminated through the upper class. In the Song Dynasty, the spread of Jiaxie expanded from the northwest of Zhejiang of the glorious Tang Dynasty to the southeast of Zhejiang of the Southern Song Dynasty. Since the near modern age, Jiaxie prevailed in south Zhejiang for a time after chan- ging the style, and formed its own industrial chain link, the cause of which could be explained through the formation of its aesthetic characteristics.
出处
《浙江师范大学学报(社会科学版)》
2009年第4期91-95,共5页
Journal of Zhejiang Normal University(Social Sciences)
基金
浙江省社科联社科普及课题(2005080)
关键词
浙江夹缬
历史
审美惯例
夹缬产业
Zhejiang Jiaxie
history
aesthetic practice
Jiaxie industry