摘要
易卜生在他的第一部浪漫主义诗剧《凯蒂琳》中刻画了一个精神叛逆者的形象——凯蒂琳。他由于年轻时的荒唐行为致使灶神殿女尼西尔维亚死亡,造成了巨大的罪恶。易卜生在文本中通过对灶神殿、梦境和鬼影的描绘,营造了一个虚实相生的场景,从而揭示了主人公复杂的内心世界,探讨了他原罪意识的起源和渴望实现"自我解放"的心路历程,从中也透视出易卜生式的"自我解放"实际上具有灵与肉的双重性质,而这与易卜生的道德理想是息息相关的。
In his first romantic play, Ibsen created a character of spirit rebel- Catiline. For his absurd act, Catiline had led to the death of a nun of the Kitchen Temple, thus caused a great evil. In the text, Ibsen described three images of the Kitchen Temple, the dream and the ghosting, creating a scene of illusory and real, which revealed the complex inner world of Catiline, and explored his sense of original sin and the desire of ＂self-liberation＂. They were related to Ibsen＇ s moral ideals closely, through which we can know that Ibsen＇ s ＂self-liberation＂ have a dual nature in fact.
