双重嬗变中《夜歌》集的思想和艺术——朴素清新的现实主义和依然浓厚的个人抒情

Ideology and Art in the Double Transmutation of Night Song Collection——Simple and Refreshing Realism and Still Strong Personal Lyric

《夜歌》集充分表现了一个刚投入革命队伍的小资产阶级知识分子对革命事业和新的人生的由衷礼赞,同时也反映了个人与集体之间所发生的新的矛盾、痛苦及其艰难前进的轨迹;作品的语言风格也从早先富于象征色彩的浪漫主义走向了朴素清新的现实主义,然而其"旧性"荡涤未尽,创作的主体性和个人抒情色彩依然很浓,这是《夜歌》集中大部分诗作依然富有艺术感染力的原因。但由于缺乏新的艺术经验,也存在着艺术上参差不齐的情况。何其芳正是以包括《夜歌》集中那些个人抒情色彩依然浓厚的优秀篇章在内的前期作品,而赢得众多读者的喜爱,奠定了他在20世纪中国现代文学史上的一席特殊地位。

Night Song Collection gives full performance to the sincere praise to the revolutionary cause and a new life by a petty-bourgeois intellectual who has just joined the revolution league, and it is also a reflection of the new conflicts taking place between the individual and the collective, of the suffering and difficult track progress. The language style of the work shifts from earlier romantism rich in symbolic color to a simple and refreshing realism; however, the ＂old nature＂ still exists, that is, the main body of creation and the color of personal lyric is still very strong, which are the reasons for the artistic appeal of most of the poems in Night Song Collection. Due to the lack of new art experience, the poems are uneven in terms of art. HE Qi-fang wins his popularity among a large number of readers for those individual strong lyrical including the excellent poems in the early works, which gives him a special status in the 20th century modern Chinese literature.