论苏轼词的“词汇-语义”的触觉类、味觉类具象及其感知

On the Tactility-specific,and Taste-specific Images and Sense of "Vocabulary-Meaning" of SU Ci

诗词的语言,是感性的语言,是感觉的语言,是充满形形色色的具象的语言。从语言认知的"词汇-语义"的角度,比较苏词的触觉类具象、味觉类具象及其感知,是一种非常新鲜而有趣的的探索,这种探索有助于推动和革新中国诗歌的传统研究和现代研究。

A simple fact can be generalized when you compare vision-specific image, hearing-specific, tactilityspecific image from the perspective of language cognition. The performance and sensing and knowing area of visionspecific image is most extensive and free of boundary. For example, it could freely express the image of ＂unrestraint＂ and ＂smoothness＂ and many other artistic images. The performance and sensing and knowing area of hearing-specific images, in comparison with tactility-specific images, are relatively extensive and free. It is characteristic of ＂smooth＂, ＂gently beautiful＂ and other artistic images such as ＂unrestraint＂. Nevertheless, the performance and sensing and knowing area of tactility-specific images have immense restraint. To view taste-specific images from the whole spectrum of language cognition, it might be a refreshing as well as interesting exploration to expose and explain the ＂taste＂ of poem rather than the ＂taste＂ of Ci.