摘要
本文从西方铜版画艺术在明清时期传入中国引发的西画东渐入手,分析了西方铜版画在华从传播到出版的历程,最终揭示了外来文化艺术熔融于中国社会的关键所在:即必须建立在适合的社会生活和社会基础之上。
This paper proceeds with the event that Western drypoints arts introduced into East during Ming and Qing dynasty , analyzes about the course of its promulgation and publishing in China , and finally reveals the core that foreign cultural arts were able to blend into Chinese society : in terms of must base on compatible social life and social fundament.
出处
《攀登(哲学社会科学版)》
2009年第3期98-100,共3页
New Heights(Philosophy and Social Science)
关键词
西洋铜版画
艺术
明清时期
传播
Western drypoint
art
Ming and Qing duration
promulgation