摘要
意象理论是庞德诗论中的核心理论。其意象表现有如下三个特点:它是独立于具体事物的复合体;表达现代人复杂多义的知性因素;往往采用意象并置或重叠的手法,避免西方逻辑中常用的介词、连词,这些均在中国新诗中得到了不同程度的贯彻与发挥。在诗歌的韵律与节奏方面,"运用日常会话的语言",创作节奏新颖、形式活泼、具有诗情节奏与散文美的自由诗是庞德及其追随者在诗歌形式上的追求。而这正好启发了许多中国现当代诗人,从而促成了中国新诗中最重要的一种范式——自由诗的兴盛与发展。
The theory of image is the core of Pound's poetic theory. There are three characteristics in connection with his poetic theory such as the follows: firstly, the theory is a compound one that is free from the concrete matters; secondly, it extends the complex and poly- factors of the modern people; and thirdly, he wrote his poems with application of imagery and overlapping instead of the common words such as prepositions or conjunctions. These above-said theories were conducted in the different degree in writing or creation of Chinese modem rhyming poems. The daily-use words, phrases and common expressions are applied in the creation of the modem poems that the rhymes are read lively. It is of the rhyming and prosing style The poems of Pound and his likes are free in words and in rhymes. Many modem Chinese poets learned a lot from Pound's poetics. Thus many new types of poems are produced with the features of new flee verses in modem China.
出处
《湖南城市学院学报》
2009年第3期70-74,共5页
Journal of Hunan City Univeristy
关键词
庞德
诗学
中国现当代诗歌
Ezra Loomis Pound (1885-1973)
poetics
the modem poetic song in China