悲剧的时空超越——兼论《失乐园》不伦之恋的悲剧解决方式

Spatio-temporal Transcendence in Tragedies——The Solution of Unethical Lovein"Paradise Lost"

本文试图探讨影片《失乐园》作为不伦题材使用悲剧结局的原因。从雅斯贝尔斯的悲剧超越理论角度来看,悲剧可以通过死亡得到解救,以死亡达到空间与时间的瞬间凝固,表达真正的形而上的爱恋永恒——对纯粹本能爱情的坚贞与执著。而影视作品"时空合一"的审美特性所带来的时空感受的超越,则升华了永恒主题的表现层面。

The thesis attempts to probe into the reasons of choosing tragedy as the end in the unethical subject of ＂Paradise Lost＂. From the Jaspers＇ theory of the transcending of the humanbeings tragedy, tragedy can be rescued by the death, reaching the spatio and temporal momentary freezing, to tell the real metaphysical eternal love--- faithfulness and obsession to complete involantary love. And the spatio-temporal transcendence, caused by the aesthetics features of combination and time and space in the movie works, sublimes manifesting stage to the eternal subject