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毛泽东书法艺术风格辨正

An Analysis of Artistic Styles of Mao Zedong's Calligraphy
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摘要 毛泽东的诗词书法是中华文化艺术宝库的双璧,中华文化艺术园地的两朵奇葩,尤其是毛泽东独具伟人风采的以草书见长的书法更是绝类弥伦、尤入圣域,被世人推崇为"毛体",毛泽东也被尊奉为"惊世书圣"。毛泽东以自己身体力行的艺术实践证明其艺术思想的成功,他也以自身革命实践造就了他那独领风骚的书风。毛泽东书法艺术成熟时期的书法作品以草书为主(集其大成),但不能简单地把"毛体"书法归结或等同于草书甚至狂草。毛泽东在有心无意间开创了当代中国书法之先河,引领着中国当代书法发展的方向和潮流,这是毛泽东为中华文化、人类文明做出的又一个不朽的历史贡献。 Mao Zedong's poetry and calligraphy are regarded as double keys to open Chinese culture and art treasury, and two exotic flowers blooming in the garden of culture and art in Chinese culture. In Particular, Mao's proficient cursive calligraphy marked by his unique leadership splendor is so incomparable and extraordina- ry that is highly praised as "Mao typeface", and Mao himself as unprecedented "Sage Calligrapher". Using his own artistic experience, Mao proved his success of artistic thoughts. Using his own revolutionary practice, he cast his unique style of calligraphy. The major calligraphic work of his matured period is mainly cursive script, but it is improper to conclude or equate "Mao typeface" with cursive script or even wild cursive. Intentionally but unconsciously, Mao has become father of contemporary Chinese calligraphy and even led the developmental direction and trend of it, which is his historically immortal contribution to Chinese culture and human civilization.
作者 许雁峰
出处 《湖南科技大学学报(社会科学版)》 北大核心 2009年第4期15-19,共5页 Journal of Hunan University of Science and Technology(Social Science Edition)
关键词 毛泽东书法 书法家 草书 艺术风格 Mao Zedong's calligraphy calligrapher cursive script artistic style
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参考文献2

  • 1毛泽东诗词书法艺术鉴赏[M].北京:中国档案出版社,2003.
  • 2良石,芦白欣.毛泽东诗词书法赏析[M].延吉:延边大学出版社,2005.

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