摘要
中国现代戏剧萌芽于20世纪初,经过30多年的发展,逐渐形成了自己的思想传统和艺术传统。到了20世纪40年代,中国现代戏剧迎来了自己的黄金时代,桂林文化城的现代戏剧运动也是空前繁荣。以田汉、欧阳予倩为代表的戏剧家们把中国现代戏剧传统传播到桂林,并和当地的文化传统,特别是戏剧传统相结合,使其得到进一步发展。这些传统主要是大众化传统、团结战斗传统和贴近现实政治的传统。
The Chinese modern theatre germinated in the beginning of the 20th century, and finally formed its own thought tradition and artistic tradition in the 30's after developing for 30 years. In the 1940's, the Chinese modern theatre had met its own golden age, and the modern theatre movement was prosperous unprecedentedly in the cultural city of Guilin. The dramatists, especially Tian Han and Ouyang Yuqian disseminated the tradition of Chinese modem theatre to Guilin, and made them unified with the tradition of the local cultural, specially the tradition of theatre, enable this tradition to obtain the further development. The main performances of these traditions are the popularity, unity and fight spirit and close to actual politics.
出处
《艺术探索》
2009年第3期5-9,共5页
Arts Exploration
关键词
传统
桂林文化城
现实主义
大众化
tradition
the culture city of Guilin
realism
popularity