回忆之思:时间与叙事的审美之维——回忆理论研究的检讨与进路

Reflection on Memory from Aesthetic Study of Time and Narration:Review and Approaches of Studies on Memory Theory since 1980s in China

上世纪八十年代以来,国内的回忆研究主要在三个方面展开:对回忆的艺术本体论的阐释;对回忆与审美想象、审美感受、审美创造及审美体验等关系的申述;注重在叙事文本的分析中考察回忆手法的运用及由此产生的美学意味。而国内回忆研究只在理论借鉴、思维创新和研究对象等方面加以检讨,如从时间与叙事的角度加以推进,将有助于从时间和叙事两方面呈现回忆的审美意味。

Since 1980s, there are three main perspectives on the memory theory in China,namely interpretating the art ontology of the memory, explaining the relation between the memory and the aesthetic imagination, the aesthetic sensibility and the experience as well as reviewing the application of the memory technique and its aesthetic signification. But the domestic research on memory can be reviewed from the aspects of the theoretical reference, the idealistic innovation and the research object. Such as in the perspectives of time and narration.