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占有与解脱的纠缠——解构劳伦斯的《儿子与情人》

Possession and Disentanglement --On Lawrence's SONS AND LOVERS
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摘要 本文主要从原型批评的角度,解构劳伦斯的自传性作品《儿子与情人》的框架,以及两个主要女性人物的原型。本文试图论证劳伦斯在创作《儿子与情人》时运用了大量原型,其中的女性人物原型表现了劳伦斯的男性居统治地位思想;小说的结构与《神曲》的三部曲有大量的相似点,体现了作者对占有欲强烈的女性的反感,以及男性应该主宰世界的观点。 From the perspective of archetypal analysis, based on Lawrence's autobiographical works Sons and Lovers, this paper is to analyze the archetypes of the main frame, and the archetypes of the two female characters in this novel. This paper tries to illustrate that Lawrence used many archetypes when he created Sons and Lovers. The archetypes of the main female characters display Lawrence's idea that man should be in the dominant position. The frame of this novel owns many similar points with Divine Comedy's trilogy, which shows the author's antipathy to those females who have strong desire of possession, and his viewpoint that man should control the world.
作者 付滢
出处 《哲理(论坛版)》 2009年第2期48-50,共3页
关键词 人物原型 神曲 男性主宰地位 archetypes of figures Divine Comedy man's dominant position

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