远古的足音——“时空认同意指模式”在现代诗派诗歌中的复现

Sound of Long Ago——The Return of Chinese Mythical Thinking in the 1930's Modernist Poetry

中国20世纪30年代现代诗派在有形结构中运动和贯穿着诗的无形的"神"——借用德国后结构主义理论,就是德里达所说的作品后面起着总契机作用的"踪迹"(trace)。本文试图论述时空认同意指模式的神话宇宙思维作为现代诗派诗歌中的"踪迹"对诗歌的意味生成所起的作用,及其使诗歌品位所达到的哲学高度,从而对现代诗派诗歌进行审美的理解和欣赏。

An invisible'spirit'runs through the visible structure of modernist poetry in the 1930's and applying German post –structuralistic theory of Derrida,it is the trace playing a crucial role between the lines.This paper tries to discuss the function that Chinese mythical thinking play in the generation of poetic meaning,which is considered as the 'trace'in modernist poetry and the philosophical degree of poetic meaning reached by the 'trace' so as to interpret and appreciate the modernist poetry aesthetically.