摘要
以国服应具备的特性为界,对国服概念加以确定。并以此定义为准,对旗袍、中山装、唐装可否称之为国服分别予以论证。再通过此3种服装的相互比较,进而分析国服不同的产生发展形式。
This article try to make a borderline for the character of" Guo Fu" and also try to fix the conception of"Guo Fu", using this conception to demonstrate Qi Pao, Zhongshan Zhuang, Tang Zhuang and divide them whether could be called Guo Fu. Then through the comparison of those three kinds of costumes, their different formalizations of development are analyzed.
出处
《丝绸》
CAS
北大核心
2009年第6期49-51,共3页
Journal of Silk
关键词
国服
概念
象征性
形制
Guo Fu
Conception
Symbolic
Shape