摘要
保罗·塞尚用色彩造型、艺术变形、几何构成方式,使得艺术从模仿再现走向主观精神,从艺术的传统法则到按照自己对自然和艺术的理解来处理画面,从而推动了艺术观念从传统到现代的转型。
Paul · Cezanne takes advantage of the color modeling , art deformation, geometry constitution to make art become the subjective spirit from the imitation representation . He promotes the transformation of the art concept from the traditional to the modem through dealing with the picture frames according to his own understanding of the nature and art from the traditional rules of arts.
出处
《湖南广播电视大学学报》
2009年第2期51-52,共2页
Journal of Hunan Radio and Television University