材料笔迹:对七桥瓮木构亭设计的思考

Material Autograph:Rethinking on the Design of Qiqiaoweng Wooden Pavilions

材料笔迹是指材料赋予空间的特征和性质,表现为建筑中的一种结构和由此获得的质量,即材料的自然属性内在地规定了它的组织和连接方式,建筑的结构和构造是这一规定的产物,由此产生的空间不仅具有材料和结构的逻辑,而且其表现出来的知觉质量,在建构的深度上具有逆向的透明度。七桥瓮木构亭的材料被严格限制在木材之中。作为一次木材的建构实验,其结构本身完成了空间的围合和感知,材料、建造和空间以最为朴素和真实的方式得到一体的呈现。七桥瓮木构亭以新型的木材和木构技术,探索了木材之于建造和空间的表现潜力。

Material autograph means the character of space which is endued with materials. It is embodied in architecture by a sort of structure and the quality achieved. The nature of material essentially prescribes its method of joint. Structure and construction are the results of this prescription, while built space not only possesses the logics provided by material and structure, but its perceived qualities present a sort of intellectual transparency at the depth from surface to material. The material used at Qiqiaoweng Wooden Pavilions was strictly limited with wood. Acting as a tectonic experiment, wooden structure itself performs as the enclosure and perceptional surface of space. Material, construction and space are simultaneously presented by an integrated way of austerity and authenticity. Based upon new technologies of wood and wooden structure, the three pavilions demonstrate the expressive potentials, which the material of wood provides to both construction and space perception.