视觉语言符号表征下的“荒诞”——对达利的《达利与骨骼》的符号解读

"Ridiculous" under Representation Decode of Visual Language——On Representation Decode of Dali and Skeleton(Dali)

本文运用英国社会文化理论批评家斯图尔特.霍尔的表征理论,以达利的《达利与骨骼》为例,解读视觉语言符号意指实践下的"荒诞"。得出视觉语言符号创设了一种"荒诞"的空间类型,打破了传统"美"的观念;视觉语言用符号意指实践了"荒诞"的非理性特征,勾画了现代人的文化意识;视觉符号阐明了"荒诞"世界中的主体特点,拓展意义多重解读的空间的表征结论。

The text decoded the symbol of＂ ridiculous＂ under an experience of visual language driving at, which used a token theory of Steward Hall who was a social cultural theory critic in Britain and illustrated as Dali＇ s Dali and Skeleton. The answer was visual lingual symbols activated a ＂ridiculous＂dimentional style, meanwhile, broke up the traditional beauty concept. Visual language used symbols driving at experienced the ＂irrational＇character, pictured a cultual sence of modemist; Visual symbols explained principal characteristics in＂ridiculous＇world, and widened the multiple meaning of dimentional token statement.