摘要
文革电影中的女性无爱情意识,无家庭意识,也无个体意识;取而代之的是阶级斗争意识、民族解放意识和革命专政意识。这种现象的出现与样板戏的影响有关,同时也与建国后大的政治环境有关。
In the movies of Cultural Revolution, instead of the consciousness of love, family and personality, the female character only had the consciousness of class struggle, national liberation and revolutionary dictatorship. This phenomenon was related to the influence of model Beijing opera and the political environment at that time.
出处
《南京师范大学文学院学报》
CSSCI
2009年第2期130-133,共4页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
文革故事片
女性形象
movie of Cultural Revolution, feminine image