“娜拉型”话剧中的“出走”及性别焦虑

"Running away" and Gender Dysphoria in the Dramas of Nora's Style

本文关注五四以后出现的一批"娜拉型"话剧。"出走"在"形式的意识形态"层面的意义,是本文解读的重点。"田亚梅"们的"出走",是作为女性解放运动"引路人"的男性知识分子们的现代想像与性别焦虑。

The paper pays attention to some dramas of Nora＇ s style after the May 4th Movement and mainly explains the meaning of ＂running away＂. The ＂running away＂ of women including Tian Yamei, comes from modern imagination and gender dysphoria of male intellectuals as the leader of the woman liberation.