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从《哈姆雷特》与《窦娥冤》看中西悲剧 被引量:1

Chinese and Western Tragedy in "Dou E Yuan" and "Hamlet"
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摘要 本文通过对《哈姆雷特》与《窦娥冤》两剧进行比较,认为,中西悲剧的差异主要是由中西方民族不同的文化背景,迥异的审美心理和情感表达方式不同所致。从悲剧角色与悲剧冲突两个角度进行论述,认为西方悲剧精神较张扬,表现出较强的个体自主意识,而中国古典悲剧精神往往较含蓄内敛,悲剧角色缺少自主意识。故本人以为欣赏中西悲剧应该注重情感体验。 The article makes comparison in " Dou E Yuan'and"Hamlet", it is discovered the differences of chinese and western tragedy in culture root are mainly manifested in the differences of culture background, appreciative psychology and sensibility expressive manner in chinese and western nations. On points of view of tragedy character and tragedy conflic, it is discovered the western tragedy spirit is full play, the individual self - determinational consciousness is strong, while Chinese ancient tragedy spirit emphasizes connotation, tragedy character runs short of self - determinational consciousness. The author thinks appreciation of chinese and western tragedy should pay attention to sensibility experience.
作者 李海莲
出处 《青海师专学报》 2009年第3期52-55,共4页 Journal of Qinghai Junior Teachers' College
关键词 中西悲剧 文化根源 悲剧角色 悲剧冲突 情感体验 Chinese and western tragedy culture root tragedycharacter tragedy conflict sensibility experience
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  • 1张隆溪译,朱光潜.悲剧心理学[M]人民文学出版社,1983.

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