摘要
苏轼一个系列的送别词,是通判杭州时为刚罢任的杭州知州陈襄而作。它们或作较客观的叙写,或借写他人送别,以衬托自己的别情,兼之以"乐景"写愁情,或作情感上的回旋跌宕,或通篇作想象之辞,或运用"代言体"写法,或从对面着笔,虚实相生,等等,可谓视角各异,精彩纷呈。其所以能如此,除了生活本身的丰富性之外,同创作主体丰厚的情感与卓越的才华更密不可分。作者提供了一种新型的系列范本,是对古代抒情诗体抒情模式的突破与创新。
A series of farewell speech by Su Sift is written for Xiang Chen who was then just removed in Hangzhou. They are description for more objective, or writing to bid farewell to others in order to set off their own reasons, or writing unhappy situation by "Happy Scenery", orfor emotional ups roundabout, or for the imagination of the entire speech, or the use of " representative body ", or writing from the opposite, virtual with actual situation, and so on, which can be different perspectives and brilliant. So it's able to do so, in addition to the richness' of life itself, the huge main with the creative excellence of the emotions and talents is more closely. The author provides a series of new model that is a breakthrough and innovation of the ancient mode of lyric verse lyric.
出处
《黄冈职业技术学院学报》
2009年第2期1-3,共3页
Journal of Huanggang Polytechnic
关键词
苏轼
送别词
系列
抒情模式
Su Sift
Farewell speech
Series
Lyric mode