唯有“生成”:德勒兹、惠特曼和《自我之歌》

Pure Becomings:Deleuze,Whitman and "Song of Myself"

沿用德勒兹内在性理论,对惠特曼的诗歌,尤其是《自我之歌》进行解读。惠特曼无意识中追求的是流动无我的纯粹情感和欲望,主要关注了惠特曼诗歌中罗列的语言现象,分析了惠特曼诗歌中破碎的语言现象的深刻含义、精神分裂症式的游牧主体、惠特曼对纯粹情感的追求。

This paper attempts to employ Deleuze’s theory of immanence to reinterpret Whitman’s poetry, especially his 'Song of Myself,' arguing that in his unconscious, Whitman, just like Deleuze, is in pursuit of the flowing and selfless affect and desire, where self is in thorough freedom of living. In combination with the study of Whitman’s life experiences, the paper focuses on the catalogues frequently used in Whitman’ s poetry and elaborates on them in terms of the following three aspects: the fragmented structures and their profound connotations, the nomadic or schizophrenic subjects and Whitman’s pursuit of pure affect.