摘要
潮汕地区有三件《豳风七月》图,其中一件只见于文献,两件有实物留存,从中显现出美术史与社会史上的一些问题,特别是明清以来的社会变迁。
This paper discusses the three paintings of 豳风七月, Bin Feng Qiyue (Bin’s July) in Chaoshan Area, one of which exists only in documents and the other two of which exist materially. The paintings reflect some issues in both the history of fine arts and the social history, especially some social changes from Ming and Qing Dynasties on. This is a tentative way to conduct Chaoshan studies.
出处
《汕头大学学报(人文社会科学版)》
CSSCI
2009年第3期88-92,共5页
Journal of Shantou University(Humanities and Social Sciences Edition)
关键词
潮汕
豳风七月
屏风
教化
粉本
Bin Feng Qiyue
folding screen
education
painting.