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后殖民女性主义视角下《喜福会》中的母亲形象

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摘要 从后殖民女性主义角度分析《喜福会》中的母亲形象,她们身上集中着来自父权制和西方霸权文化的双重压迫,沦为主流社会外的他者;另一方面也力图打破沉默,重建沟通的桥梁。从沉默到打破沉默的过程印证了后殖民女性主义理论中从他者到自我的转变。
作者 刘燕
出处 《重庆科技学院学报(社会科学版)》 2009年第7期125-126,共2页 Journal of Chongqing university of science and technology(social sciences edition)
关键词 沉默 自我 他者
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