摘要
在中国近代史上,康有为不仅是一位锐意进取的维新政治家,同时也是一位开风气之先的文学家。近十年来,学术界在探讨康有为学术著作的过程中,打破了苏联的教条理论,回归文学本位,树立以作品为中心的研究格局。在康有为的散文文学定位、诗歌创作的审美价值、关于三大"奇书"的学术争鸣和对近代文艺美学理论的构建和拓展等方面,都取得了不凡的成果,但对具体文本的分析依然存在简单化和绝对化的问题。因此,从文学角度对其学术成就的研究仍然有一定的探讨空间和挖掘潜力,值得我们做更为深入细致的研究。
In modern Chinese history, KANG You-wet is not only a politician determined to forge ahead of the Restoratiqn, but also a pioneer to open a writing style. Over the past decade, scholars in aeademie fields worked to explore KANG's works in the literature-oriented way instead of the dogma theory of the Soviet Union, and gained extraordinary achievements in positioning KANG's prose status in literature, in estimating aesthetic value of his poetry, in academic contention on three "Legendary Books", and in its effect on the construction and development of modern literary aesthetics theory, but question of simplicity and absoluteness still exist in analysis of the specific text. Therefore, there is still room and potentiality for us to study their academic achievements from a literary point of view, which is worthwhile to carry out in-depth and careful research.
出处
《十堰职业技术学院学报》
2009年第3期67-70,共4页
Journal of Shiyan Technical Institute
关键词
康有为
新文体
诗歌
三大奇书
近代文艺美学
KANG You-wet
new style of prose
poetry
three "Legendary Books"
modern literary aesthetics