《闲情偶寄·词曲部》中的接受美学思想

Theory of Reception Aesthetics in Ci and Qu Section of Occasional Enjoyment

李渔所处的时代虽然还没有"接受美学"的诞生,但李渔凭借对戏曲这种特殊文艺形式的独特理解以及对戏曲创作的切身体会,在《闲情偶寄.词曲部》中用他自己的方式阐释了300年后接受美学中所谓的"隐在读者"、"期待视野"、"审美距离"等重要思想。

In LI Yu＇s period, there is no naissance of reception aesthetics. But in the book of Ci and Qu Section of Occasional Enjoyment, he expatiated in his own way upon some important theories occurred 300 years later as so-called ＂potential reader＂, ＂horizon of expectation＂ and ＂aesthetic distance＂, which are all based on his unique comprehension to the special art pattern of Chinese opera and his personal experience.