摘要
袁鼎生是中国当代生态美学研究卓有成效的理论家。他以美学的元理论研究和美学史研究为基础,结合生态学方法论和景观生态的应用研究,最终上升到生态艺术哲学的思考,以系统整体创新的姿态,建构了当代独特的生态美学体系。整生范式是其生态美学体系的哲学基础,理论研究、历史研究、应用研究构成其生态美学体系的基本结构,超循环研究是其生态美学体系的灵魂。
Basing on the study of element theory in aesthetic history and the practice in ecological methodology, Yuan Dingsheng built his modem eco-aesthetic system with the integration principle in the level of philosophy, in which the schema of integration is served as the philosophical foundation while the study on theory, history and practice as the basic structure and the study on hypercycle as the soul.
出处
《南宁师范高等专科学校学报》
2009年第2期61-64,共4页
Journal of Nanning Junior Teachers College
关键词
整生理想
学术路线
袁鼎生
生态美学
超循环
integration
academic principle
Yuan Dingsheng
eco-aesthetics
hypercycle