摘要
边贡是"前七子"的代表人物之一,也是"弘治四杰"的中流砥柱。虽然其影响不足与李东阳、何景明相抗衡,诗学理论也不足与谢榛相左,其在有明一代也具有举足轻重的影响。他那沉稳飘逸的诗风取向对同乡后辈王士禛的诗歌尤其是他的神韵诗产生了重要的影响。从他对王士禛创作的影响中我们可以看到诗人的创作风貌如何被后代诗人继承发展的,而且可以看到明清诗歌之间的血肉联系。
Bian Gong was one of the representatives of the "Former-qizi" and, also "Hongzhi sizi". Although his poetic creation was in the shade of Li Dongyang and He Jingming and his theory eouldn't compete with Xie Zhen, his creation had engendered enormous influence in the Ming- dynasty. His poem style had immense influence on Wang Shizhen. From the influence we can see the way of the poet's style being inherited and developed, as well as the inseparable consanguineous connection between Ming-dynasty poems and Qing- dynasty poems.
出处
《柳州师专学报》
2009年第3期38-40,共3页
Journal of Liuzhou Teachers College
关键词
浸润
风化
归正
infiltration
weathering
reforming