找到“自己”:孙绍振散文审美规范的理论建构

Finding out Oneself: Theoretic Frame about the Aesthetic Standards of Prose

孙绍振的散文理论一如他独特的文艺美学、幽默理论,富于原创性、独特性,是独树一帜的。他从一贯坚守的文学性出发,依据其"文学形象三维结构理论",倾力于散文审美形式的建构。通过散文与诗、小说的比较,在大量经典性、代表性文本微观分析的基础上,归纳梳理散文审美规范,对当下散文现象给予科学的命名与分类,拓展了散文研究的领域与视野,并对许多散文研究中的热点问题、重点问题做出精当分析。凡此种种,对于促进散文创作与研究,规范散文的"失范"状态,具有重要作用。

Sun Shao-zhen＇s prose theory developed a school of his own with original and unique characteristic just like his unique aethetics of literature and art and humorous theory. He was engaged in theoreticlal frame about the aesthetic standards of prose proceeding from literature feature and three-dimensional structure of literary image. Sun Shao-zhen concluded the aesthetic standards of prose and gave today＇s prose a scientific name and classification by comparing prose with poems according to microcosmic analysis about a vast amount classical and representative text. He expanded a new field of prose research and analysed a lot of popular problems and focal point about it precisely. All these play an important part in promoting prose creation and research, regulating the irregularity of prose.