荀子“隆礼至法”的服饰美学思想

On Xun Zi’s Adornment Aesthetics Based on "Respecting Etiquette and Observing the Law"

荀子通过服饰审美文化现象形态所表现出来的"礼",与孔子所提倡的"礼",已有了质的不同。他所倡言的,显然带有"国家强制力"的突出特征和鲜明色彩。这便使"礼"乃至"隆礼"具有了十分确定的"法"或曰"至法"的内涵和属性及"礼"与"法"之间的辩证关系。为此,荀子还对墨子的"非乐"亦即"非审美"的服饰文化观念,进行了针锋相对的驳诘和鞭辟入里的批判。

The ＂etiquette＂ shown by Xun Zi through the phenomenon and ideology of adornment aesthetics ulture is great different from the ＂etiquette＂ of Confucius. The ＂etiquette＂ advocated by Xun Zi is of evident character of ＂national force＂, which endows the ＂moral etiquette＂ With the attribute of ＂observing the law＂. Besides, Xun Zi madepenetrating elenchus on non-musical and pragmatic adornment aesthetics of Mo Zi.