李渔以叙事为中心的戏曲理论成因探讨

Study on Formational Causes of Li Yu's Narrative Theory of Chinese Drama

李渔戏曲叙事理论的诞生,受到明代以来叙事文学及其理论的滋育,也受到李渔自身小说戏曲兼擅的艺术思维、观众本位的创作取向、求新尚异慧而多才的文化性格的直接影响。李渔以叙事为中心的戏曲理论的形成,既是戏曲理论研究本身的发展和创新,也是近古戏曲文化发展的合乎逻辑的产物。

The birth of Li Yu＇s narrative theory was bred by the narrative literature and its theory from Ming Dynasty and influenced directly by the art thinking that Li Yu was good at writing both novels and dramas, by the audience-based tendency of the creation, and by the cultural features of being creative, unique and brilliant. His narrative theory became not only the development and innovation of the study of the theory of Chinese opera itself, but also the logical product of the development of drama culture in the age of recent antiquity.