摘要
科学主义音乐思潮肇始于清末民初之际,崛起于五四新文化运动时期。科学主义音乐思潮与学习西乐思潮密切相关,其文化结果是以西方音乐理论与方法改造旧有国乐、创造中国新音乐。抗战时期科学主义音乐思潮在延续的同时也引发了对它的初步反思。科学主义音乐思潮推动了新音乐文化的发展,使得音乐在近代中国终于取得了作为一门独立学科或科学的合法地位,但同时也导致了欧洲音乐中心论在中国的传播和科学精神的丧失等消极影响。
That the modern seientism of music thought in China was inchoation during the end of Qing Dynasity and early of Republic of China, group up in the perod of May 4^th new Chinese cultural movement. The modern scientismof music thought was close to study the West music thought. , the cultural result was to rebuild the old Chinese music with the West music theory, to create the Chinese new music. During the period the War of Resistance Against Japan, it continued the modern scientism of music thought and meanwhile triggered the first profound consideration on itself. The modern scientism of music thought in China promoted the development of the new Chinese cultural movement, which made the music a status as individual subject in China in the modern times, on the other hand, it also had some negative effect on lose the spirit of science and take the European music as the center spreading in China.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2009年第3期20-31,共12页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
山东省艺术科学重点课题项目
立项号:200502001
关键词
近代
科学
理学
学理
科学主义
音乐思潮
modern times, science, Natural Science, scientism, music thought