孙悟空大闹天宫的审美读解(下)

Aesthetic Reading of Monkey King's Fighting against the Heavenly Palace(Ⅱ)

从定海石到金箍棒、"玉帝甚不用贤"、英雄只此敢争先、"皇帝轮流做"等故事情节的解读,阐释了吴承恩《西游记》的审美意蕴。通过孙悟空大闹天宫的原型从诗话、杂剧到百回本小说的演进,大闹天宫情节的拓展,分析了"大闹天宫"在"横云断岭"式结构中的地位,得出吴承恩在情节的处理上点石成金的奥妙有两点可供借鉴的经验:吴承恩善于根据人物性格去创造典型情节;吴承恩善于创造幻想性情节去表现人物性格。

A detailed reading of the plotting of Monkey King is made to reveal its aesthetic value, including his criticism of the Heavenly Emperor, the obtaining of his Magic Rod and his ideal that everybody should have the ability to be the emperor. Monkey King＇s fighting against the Heavenly Palace has been written into operas, novels and finally into the 100-chapter A Journey to the West, where the story is greatly expanded. It is concluded that the novelists Wu Cheng＇en succeeds in the following two aspects. He is adept in conceiving typical plots according to the main character and in depicting the character with fictional plots.