形式文化学电影批评理论的建构和实践——《画皮》之“电影重写”现象和电影批评话语之建构

Theoretical Construction and Practice of Formalistic-culturological Approach of Film Criticism——Phenomenon of Film Rewrite and Construction of Film Criticism Discourse of Painted Skin

中国电影批评理论和实践的有效进路之一,在于形式文化学电影批评,由此则可同时避免电影文本批评和文化批评的各自局限和盲点,亦可形成集理论建构和批评实践于一体的电影批评文本。本文以陈嘉上之《画皮》及其关联的"电影重写"现象,进行批评话语的建构和实践,提出字像式错位阅读等原创性学术论题。

One of the effective methods of Chinese film criticism is formalistic-culturological approach which avoids blind area and limits of film text and cultural criticism and forms film criticism text with both theory construction and practice. The paper analyzes Painted Skin directed by Gordon Chan and the phenomenon of ＂film rewrite＂ to construct and practise criticism discourse, and puts forward the original academic topic of ＂character-image symptomatic reading＂.